His colleagues in the librarianship were Alexander of Aetolia and Lycophron of Chalcis, to whom were allotted the tragic and comic writers respectively, Homer and other epic poets being assigned to Zenodotus.
Her character and these incidents of her life presented an attractive subject to the Greek tragic poets, especially Sophocles in the Antigone and Oedipus at Colonus, and Euripides, whose Antigone, though now lost, is partly known from extracts incidentally preserved in later writers, and from passages in his Phoenissae.
The first volume published of his posthumous works was the exquisite and splendid Thedtre en liberte, a sequence if not a symphony of seven poems in dramatic form, tragic or comic or fanciful eclogues, incomparable with the work of any other man but the author of The Tempest and The Winter's Tale in combination and alternation of gayer and of graver harmonies.
Here, with Mme Guerin as the leading comedy actress, she played the great tragic love parts for more than thirty years, dying on the i 5th of May 1698.
His episcopate, however, is chiefly remembered owing to its tragic close.
Propertius is a less accomplished artist and a less equably pleasing writer than either Tibullus or Ovid, but he shows more power of dealing gravely with a great or tragic situation than either of them, and his diction and rhythm give frequent proof of a concentrated force of conception and a corresponding movement of imaginative feeling which remind us of Lucretius.
The tragic death of the crown prince Rudolph hushed for a time the strife of tongues, and in the meantime Tisza brought into the ministry Ders6 Szilagyi, the most powerful debater in the House, and Sandor Wekerle, whose solid talents had hitherto been hidden beneath the bushel of an under-secretaryship. But in 1890, during the debates on the Kossuth Repatriation Bill, the attacks on the premier were renewed, and on the 13th of March he placed his resignation in the king's hands.
LUCIUS ACCIUS, Roman tragic poet, the son of a freedman, was born at Pisaurum in Umbria, in 170 B.C. The year of his death is unknown, but he must have lived to a great age, since Cicero (Brutus, 28) speaks of having conversed with him on literary matters.
The 16th Aventiure, describing this hunt and the murder of Siegfried, is perhaps the most powerful scene in all medieval epic. To heighten the effect of the tragic climax the poet begins with a description of the hunting, and describes the high spirits of Siegfried, who captures a wild boar, rides back with it to camp, and there lets it loose to the great discomfiture of the cooks.
The tragic writers had occasionally taken their subjects from Roman life (fabulae praetextae), and in comedy we find the corresponding togatae of Lucius Afranius and others, in which comedy, while assuming a Roman dress, did not assume the virtue of a Roman matron.