The last chapters when Jeanne appears as the Velida of Mont Barbot and the Grande Pastoure are a falling off and a survival of the romanticism of her second manner.
Lamartine has been extolled as a pattern of combined passion and restraint, as a model of nobility of sentiment, and as a harmonizer of pure French classicism in taste and expression with much, if not all, the better part of Romanticism itself.
Other writers whose names connect the age of romanticism with a later period were Meyer Aron Goldschmidt (1819-1887), author of novels and tales; Herman Frederik Ewald (1821-1908), who wrote a long series of historical novels; Jens Christian Hostrup (1818-1892), a writer of exquisite comedies; and the miscellaneous writer Erik Biigh (1822-1899).
Wilhelm Meister is a work of extraordinary variety, ranging from the commonplace realism of the troupe of strolling players to the poetic romanticism of Mignon and the harper; its flashes of intuitive criticism and its weighty apothegms add to its value as a Bildungsroman in the best sense of that word.
Catholic romanticism had withered Alienation away in France, as it had in Germany.
The reputation of all preceding poets in Poland was now destined to be thrown into the shade by the appearance of Mickiewicz (1798-1855), the great introducer of romanticism into the country (see MICKIEwicz).
Though not a great poem, it is full of beautiful passages, many of which point to the riddle of life as yet unsolved, a conviction which grew ever more and more upon the poet, as the ebulliency of romanticism gave way to the calm of classic feeling.
The work was characteristic of his self-centred isolation: ultra-romantic at a time when Romanticism was already an outworn fashion, remote alike from the spirit of the age and from that of Goethe.
Traces of foreign influence are observable in El Moro Exposito (1833), a narrative poem dedicated to John Hookham Frere; these are still more marked in Don Alvaro o La Fuerza del sino (first played on the 22nd of March 1835), a drama of historical importance inasmuch as it established the new French romanticism in Spain.
From the modest and simple art of the patriotic poets and novelists of the first half of the 19th century, whose work nevertheless was an influential factor in the awakening of a national sentiment among the common people, Czech literature, after a period characterized by the romanticism of Macha and the critical realism of Havlicek, arrived at a school which, while it took its inspiration from the sources of the national spirit, did not shut itself out from foreign influences.