That according to which they were set up at Munich was in the main suggested by Cockerell; in the middle of each pediment was a figure of Athena, set well back, and a fallen warrior at her feet; on each side were standing spearmen, kneeling spearmen and bowmen, all facing towards the centre of the composition; the corners were filled with fallen warriors.
Next in point of date comes the so-called temple of Ceres, a hexastyle peripteros, which may be dated after 540 B.C. The columns are all standing, and the west and part of the east pediment are still in situ; but of the cella, again, nothing is 1 The dating adopted in the present article, which is in absolute contradiction to that given in the previous edition of this work, is that given by R.
Below the pediment comes an arcade with flat pilasters, which runs all round the exterior of the church.
The sculptures found have been assigned to this building, probably to the gables, as they are archaic in character, and show a remarkable resemblance to the sculptures from the pediment of the early temple of Athena at Athens.
The western scarp of the acropolis has been sculptured into a number of sepulchres imitating wooden houses with pillared facades, some of which have pediment reliefs and inscriptions in Lycian.
Summanus had a temple at Rome near the Circus Maximus, dedicated at the time of the invasion of Italy by Pyrrhus, king of Epirus (278), when a terracotta image of the god (or of Jupiter himself) on the pediment of the Capitoline temple was struck by lightning and hurled into the river Tiber.
The facade has the characteristic circular pediment with a large west window surrounded by three smaller windows separated by two ornamental roundels in coloured marble and of geometric design.
Between the pediment and the cornice a thick corded moulding is carried round the main building.
Some of this sculpture has been found; the acroteria are Nereids mounted on sea-horses, and one pediment contained a battle of Greeks and Amazons.
All these works are later than the altarpiece which Angelico painted (as before mentioned) for the choir connected with this convent, and which is now in the academy of Florence; it represents the Virgin with Saints Cosmas and Damian (the patrons of the Medici family), Dominic, Peter, Francis, Mark, John Evangelist and Stephen; the pediment illustrated the lives of Cosmas and Damian, but it has long been severed from the main subject.