In three-part movements Palestrina presents us with twelve combinations of voices.
South of Palestrina again, the main mass of the Apennines throws off another lateral mass, known in ancient times as the Volscian mountains (now called the Monti Lepini), separated from the central ranges by the broad valley of the Sacco, a tributary of the Liri (Liris) or Garigliano, and forming a large and rugged mountain mass, nearly 5000 ft.
Baini held a higher place, however, as a musical critic and historian than as a composer, and his Life of Palestrina (Memorie storico-critiche della vita e delle opere di Giovanni Pierluigi da Palestrina, 1828) ranks as one of the best works of its class.
They are traversed by three principal valleys: (I) that of the Anio, now called Teverone, which descends from above Subiaco to Tivoli, where it enters the plain of the Campagna; (2) that of the Trerus (Sacco), which has its source below Palestrina (Praeneste), and flows through a comparatively broad valley that separates the main mass of the Apennines from the Volscian mountains or Monti Lepini, till it joins the Liris below Ceprano; (3) that of the Liris (Garigliano), which enters the confines of New Latium about 20 m.
Aldrich also composed a number of anthems and church services of high merit, and adapted much of the music of Palestrina and Carissimi to English words with great skill and judgment.
Accordingly, Palestrina and his great contemporaries and predecessors treated the Gloria and Credo in a style midway in polyphonic organization and rhythmic breadth between that of the elaborate motet (adopted in the Sanctus) and the homophonic reciting style of the Litany.
On the death of Prince Enrico Barberini-Colonna the name went to his daughter and heiress Donna Maria and her husband Marquis Luigi Sacchetti, who received the title of prince of Palestrina and permission to bear the name of Barberini.