At Paris the cole Suprieure des Mines and the cole des Fonts et Chausses are controlled by the minister of public, works, the cole des Beaux-Arts, the cole des Arts Dcoratifs and the Conservatoire National de Musique et de Dclamation by the unr,ler-secretary for fine arts.
His articles on music in the Encyclopedic deal very superficially with the subject; and his Dictionnaire de musique (Geneva, 1767), though admirably written, is not trustworthy, either as a record of facts or as a collection of critical essays.
See also Edmund van der Straeten, La Musique aux Pays-Bas, vol.
The first, treating of agriculture and domestic economy, was the Journal economique (1751-1772); a Journal de commerce was founded in 1759; periodical biography may be first seen in the Necrologe des hommes celebres de France (1764-1782); the political economists established the Ephemerides du citoyen in 1765; the first Journal d'education was founded in 1768, and the Courrier de la mode in the same year; the theatre had its first organ in the Journal des theatres (1770); in the same year were produced a Journal de musique and the Encyclopedia militaire; the sister service was supplied with a Journal de marine in 1778.
A few theological, archaeological and astronomical articles from his pen appeared in the Journal Helvetique and elsewhere, and he contributed several papers to Rousseau's Dictionnaire de musique (1767).
Gevaert (1828-1908), author of Histoire et theorie de la musique d'antiquite (2 vols., 1875-1881); and Victor Mahillon (b.
In the same year, however, a letter Sur la musique francaise again had a great vogue.
Alembert was much interested in music both as a science and as an art, and wrote Elements de musique theorique et pratique (1779), which was based upon the system of P. Rameau with important modifications and differences.
Rousseau revenged himself by printing his clever satire entitled Lettre d'un symphoniste de l'Academie Royale de Musique a ses camarades de l'orchestre.
The system of notation (by figures) concerning which he read a paper before the Academie des Sciences, August 22, 1742, was ingenious, but practically worse than useless, and failed to attract attention, though the paper was published in 1 743 under the title of Dissertation sur la musique moderne.