The Rhetoric has been edited by Sudhaus (1892-1895); the De Ira and the De Pietate by Gomperz (1864 to 1865); the De Musica by Kempke (1884); De Vitiis by Ussing (1868); De Morte by Mekler (1886).
In 1542 a tract, written by him and entitled Della Pienezza, suficienza, et satisfazione della passione di Christo, or Libellus de morte Christi, was made by the Inquisition the basis of a charge of heresy, from which, however, he successfully defended himself.
In his best known work, Bruges la Morte (1892), he explains that his aim is to evoke the town as a living being, associated with the moods of the spirit, counselling, dissuading from and prompting action.
Most unfortunately our English version of the romances, Malory's Morte Arthur, being derived from these later forms (though his treatment of Gawain is by no means uniformly consistent), this unfavourable aspect is that under which the hero has become known to the modern reader.
The poems written In Morte di Madonna Laura are graver and of more religious tone.
His Morte d'Arthur, printed by Caxton in 1485, epitomizes the rich mythology which Geoffrey's work had first called into life, and gave the Arthurian story a lasting place in the English imagination.
Wagner's next and last work was Parsifal, based upon the legend of the Holy Grail, as set forth, not in the legend of the Morte d'Arthur, but in the versions of Chrestien de Troyes and Wolfram von Eschenbach and other less-known works.
Three elegies were formerly attributed to Pedo by Scaliger; two on the death of Maecenas (In Obitum Maecenatis and De Verbis Maecenatis moribundi), and one addressed to Livia to console her for the death of her son Drusus (Consolatio ad Liviam de Morte Drusi or Epicedion Drusi, usually printed with Ovid's works); but it is now generally agreed that they are not by Pedo.
The Rime in Vita e Morte di Madonna Laura cannot become obsolete, for perfect metrical form has here been married to language of the choicest and the purest.
These he had originally intended to publish alone, and an earlier privately printed Morte d'Arthur,- Dora, and other Idylls, of 1842, is the despair of book-collectors.