Sentence Examples with the word monochromatic

White light), which is dispersed by refraction, and monochromatic (Gr.

The porcelains of Owari and Arita naturally received most attention at the hands of the Hyochi-en decorators, but there was scarcely one of the principal wares of Japan upon which they did not try their skill, and if a piece of monochromatic Minton or Svres came in their way, they undertook to improve it by the addition of designs copied from old masters or suggested by modern taste.

Seifu YOhei, however, has the special faculty of manufacturing monochromatic and jewelled porcelain and faience, which differ essentially from the traditional Kioto types, their models being taken directly from China.

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In the products of the KiOto branch the decoration generally covered the whole surface of the piece; in the products of the other branch the artist aimed rather at pictorial effect, placing the design in a monochromatic field of low tone.

As the source of monochromatic light a bright sodium burner is used, and the rotation, which is exactly proportional to H, is measured by an accurate polarimeter.

Consequently the monochromatic class includes the aberrations at reflecting surfaces of any coloured light, and at refracting surfaces of monochromatic or light of single wave length.

SPECTROHELIOGRAPH, an instrument for photographing the sun with monochromatic light.

But in the matter of true monochromatic and polychromatic glazes, to ShOzan belongs the credit of having inaugurated Chinese fashions, and if he has never fully succeeded in achieving lang-yao (sang-de-breuf), chi-hung (liquid-dawn red), chiang-tou-hung (bean-blossom red, the peach-blow of American collectors), or above all pin-kwo-lsing (apple-green with red bloom), his efforts to imitate them have resulted in some very interesting pieces.

Thus a monochromatic image of the sun, formed of a great number of successive images of the spectral line employed, will be built up on the plate.

It is an easily traced outgrowth of the second branch of the Cloisonless first school just described, for one can readily underEameis stand that from placing the decorative design in a monochromatic field of low tone, which is essentially a pictorial method, development would proceed in the direction of concealing the mechanics of the art rn, order to enhance the pictorial effect.