Sentence Examples with the word modelling

From the time when they began to cast bronze statues, Japanese experts understood how to employ a hollow, removable core round which the metal was run in a skin just thick enough for strength without waste of material; and they also understood the use of wax for modelling purposes.

Other important examples exist at Ravello (1197), Salerno (1099), Amalfi (1062), Atrani (1087); and doors at Monreale in Sicily and at Trani, signed by an artist named Barisanos (end of the 12th century); the reliefs on these last are remarkable for expression and dignity, in spite of their early rudeness of modelling and ignorance of the human figure.

One of his greatest successes was as Benvenuto Cellini, in which he displayed his ability both as an actor and as a sculptor, really modelling before the eyes of the audience a statue of Hebe.

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The pitch was then melted away from the front of the embossed relief, and applied in a similar way to the back, so that the modelling could be completed on the face of the relief, the final touches being given by the graver.

In December m this assembly met at Potchefstroom, and for three y, weeks was engaged in modelling the constitution 1856.

At a school of art officially established in Tokyo in 1873 under the direction of Italian teachersa school which owed its signal failure partly to the incompetence and intemperate behaviour of some of its foreign professors, and partly to a strong renaissance of pure Japanese classicismone of the few accomplishments successfully taught was that of modelling in plaster and chiselling in marble after Occidental methods.

The modelling is of a very high order, and the one eye which remains perfect is cut out of rock crystal, with the pupil and iris marked by colours applied to the lower face of the crystal.

His position in the chamber was now one of much influence, and he had a large share in the modelling of the new constitution, though his effort to secure a hereditary peerage failed.

If the disciples of this school could shake off the Sesshu tradition of strong outlines and adopt the Kano Motonobu revelation of modelling by mass only, their work would stand on a high place.

The most skilful sculptors, however, had but little of this after-touching to do, the final modelling and even polish which they had put upon the wax being faithfully reproduced in the bronze casting.