He published in 1898 a Life of his father, and among his other works may be mentioned Les Morticoles (1894); Les Deux Etreintes (Igor); La Decheance (1904); Les Primaires (1906); La Lutte (1907) and L' Avant Guerre (1913).
P. 97 et seq.; Fustel de Coulanges, La Monarchie franque, p. 80 et seq.; Maxime Deloche, La Trustis et l'antrustion royal sous les deux premieres races (Paris, 1873), collecting and discussing the principal texts; Guilhermoz, Les Origines de la noblesse (Paris, 1902), suggesting a system which is new in part.
His son Aime (1812-1894) became his father's assistant at the Bibliotheque Nationale, and besides a number of works on historical subjects wrote a biographical and bibliographical study of his family in Les Deux Champollion (Grenoble, 1887).
The Lais which may be definitely attributed to Marie are: Guigemar, Equitan, Le Feene, Le Bisclavret (the werewolf), Les Deux amants, Laustic, Chaitivel, Lanval, Le Chevrefeuille, Milon, Yonec and Eliduc. The other similar lays are anonymous except the Lai d'Ignaure by Renant and the Lai du cor of Robert Biket, two authors otherwise unknown.
His numerous works include the musical comedy, Pierre le Grand (1790), for Gretry's music, and the opera, Les Deux Journees (1800), music by Cherubini; also L' Abbe de l'epee (1800), and some other plays; and Causeries d'un vieillard (1807), Contes a ma fille (1809), and Les Adieux du vieux conteur (1835).
David, Les Deux Papineau; Fennings Taylor, Louis Joseph Papineau (Montreal, 1865); Alfred De Celles, PapineauCartier (Toronto, 1906); H.
Xvi.; Las Rsultats acquis stir las cinses de maturation dans les deux rgnes, La Cellule (1905), vol.