At Valence (August 29, 1799) deprived the French of whatever advantage they had hoped to gain by dragging him into exile; on the 24th of March 1800 the conclave, assembled for greater security on the island of San Giorgio at Venice, electec a new pontiff, Pius VII.
The most important men in this school after Borelli were Nicolaus Stensen (Steno), (1638-1686), Giorgio Baglivi (1669-1707) and Lorenzo Bellini (1643-1704).
Agostino, the Palazzo Benincasa, and the Loggia dei Mercanti, all by Giorgio Orsini, usually called da Sebenico (who worked much at Sebenico, though he was not a native of it), and the prefecture, which has Renaissance additions.
GEORGIUS MERULA (the Latinized name of Giorgio Mirlani; c. 1 43 0 - 1 494), Italian humanist and classical scholar, was born at Alessandria in Piedmont.
The citadel of the 15th century, constructed by Francesco di Giorgio Martini of Siena, is on the S.E.
In the Campo Santo of Pisa; Agostino and Agnolo, who in 1330 carved the fine tomb of Bishop Guido Tarlati in the cathedral of Arezzo; Lando di Pietro (14th century), architect, entrusted by the Sienese commune with the proposed enlargement of the cathedral (1339), and perhaps author of the famous Gothic reliquary containing the head of S Galgano in the Chiesa del Santuccio, which, however, is more usually attributed to Ugolino di Vieri, author of the tabernacle in the cathedral at Orvieto; Giacopo (or Jacopo) della Quercia, whose lovely fountain, the Fonte Gaia, in the Piazza del Campo has been recently restored; Lorenzo di Pietro (Il Vecchietta), a pupil of Della Quercia and an excellent artist in marble and bronze; Francesco d'Antonio, a skilful goldsmith of the 1 6th century; Francesco di Giorgio Martini (1439-1502), painter, sculptor, military engineer and writer on art; Giacomo Cozzarelli (15th century); and Lorenzo Mariano, surnamed 11 Marrina (16th century).
It was at his court that Piero della Francesca wrote his celebrated work on the science of perspective, Francesco di Giorgio Martini his Trattato d'architettura (published by Saluzzo, Turin, 1841), and Giovanni Santi his poetical account of the chief artists of his time.
The mission of Gaetano Castiglia and Marquis Giorgio Pallavicini to Turin, where they had interviewed Charles Albert, although without any definite resultfor Confalonieri had warned the prince that Lombardy was not ready to risewas accidentally discovered, and Confalonieri was himself arrested.
Two divisions under Di Giorgio had been dispatched to hold this line, but their march, at right angles to the line of the retreat and athwart the long streams of retiring troops and civilians, had been very difficult.
The facade has a Gothic portal, ascribed to Giorgio da Como (1228), which was intended to have a lateral arch on each side.