Zwingli's most important writings are - Von Erkiesen and Fryheit der Spysen (April 1522); De Canone Missae Epichiresis (September 1523); Commentarius de Vera et Falsa Religione (1525); Vom Touf, vom Wiedertouf, and vom Kindertouf (1525); Ein klare Unterrichtung vom Nachtmal Christi (1526); De Providentia Dei (1530); and Christianae Fidei Expositio (1531).
His principal works are In Gratiani Decretum commentarii (4 vols., Venice, 1578); Expositio brevis et utilis super toto psalterio (Mainz, 1474); Quaestiones spirituales super evangelic totius anni (Brixen, 7498); Summa ecclesiastica (Salamanca, 1550).
To him the city owed her trade in cloths and velvets, from which so much wealth accrued to her 1 Fidelis Expositio Errorum Serveti, sub init.
There is extant a letter of Pope Clement III., dated the 8th of June 1188, in which Clement alludes to two of Joachim's works, the Concordia and the Expositio in Apocalypsin, and urges him to continue them.
Invectivarum in Hieronymum Libri II; (4) Apologia pro Fide Sua ad Anastasium Pontificem; (5) Historia Eremitica - consisting of the lives of thirty-three monks of the Nitrian desert; 1 (6) Expositio Symboli, a commentary on the creed of Aquileia comparing it with that of Rome, which is valuable for its evidence as to church teaching in the 4th century.
His principal works were translations of the following portions of Aristotle,- Categoriae, De Interpretatione, Analytica Posteriora, Physica, De Caelo, De Anima, Metaphysica, Ethica Nicomachea, Politica; and an Expositio Ethicorum Aristotelis.
Thus Joachim of Floris in his Expositio magni abbatis I oachimi in Apoc. teaches that Babylon is Rome, the Beast from the Sea Islam, the False Prophet the heretical sects of the day, and that on the close of the present age which was at hand the millennium would ensue.
Joachim divides the history of humanity, past, present and future, into three periods, which, in his Expositio in Apocalypsin (bk.
His English devotional commentary on the Psalms follows very closely his Latin Expositio Psalterii, which he based partly on Peter Lombard's Catena.