Maria Donna Regina and those in the cloister of S.
On the death of Prince Enrico Barberini-Colonna the name went to his daughter and heiress Donna Maria and her husband Marquis Luigi Sacchetti, who received the title of prince of Palestrina and permission to bear the name of Barberini.
He created a regency in Lisbon, and departed for Brazil on the 29th of November 1807, accompanied by the queen Donna Maria I., the royal family, all the great officers of state, a large part of the nobility and numerous retainers.
His popularity was regained, however, to some extent, when, on the death of his father, he was unanimously acknowledged king of Portugal, and especially when he abdicated that crown in favour of his daughter, Donna Maria; but his line of policy was not altered, and commercial treaties entered into with European states conceding them favours, which were popularly considered to be injurious to Brazilian trade, met with bitter censure.
Throughout his pontificate Innocent was completely dominated by his sister-in-law, Donna Olimpia Maidalchini, a woman of masculine spirit.
Articles written in common soon led to a complete literary partnership, and 1831 there appeared in the Revue de Paris a joint novel entitled Prima Donna and signed Jules Sand.
In March 1816 the queen Donna Maria I.
His earliest publications were novels, some of which, such as A Fair Saxon (1873), Dear Lady Disdain (1875), Miss Misanthrope (1878), Donna Quixote (1879), attained considerable popularity.
He published, besides several theological works, A Translation from the Italian of the Life of Donna Olympia Maladichini, who governed the Church during the time of Pope Innocent X., which was from the year 1644 to 1655 (1667), and A Translation from the French of the Jesuits' Intrigues (1669).
He had composed an opera called Die Feen adapted by himself from Gozzi's La Donna Serpente, and another, Das Liebesverbot, founded on Shakespeare's Measure for Measure, but only Das Liebesverbot obtained a single performance in 1836.