Aristarchus of Samos, Martianus Capella (the precursor of Copernicus), Cicero, Favorinus, Sextus Empiricus, Juvenal, and in a later age Savonarola and Pico della Mirandola, and La Fontaine, a contemporary of the neutral La Bruyere, were all pronounced opponents of astrology.
Of the capital; Capella (11,034); Simao Dias (10, 9 84); Lagarto (10,473); Sao Christovao, formerly Sergipe d'el-Rey (8793), the old capital, near the mouth of the Irapiranga, and Maroim (7851).
Eyssenhardt (1866); for the relationof Martianus Capella to Aristides Quintilianus see H.
It is also suggested that the capella was simply the tent or canopy which the French kings erected over the altar in the field for the worship of the soldiers.
Neckam also wrote Corrogationes Promethei, a scriptural commentary prefaced by a treatise on grammatical criticism; a translation of Aesop into Latin elegiacs (six fables from this version, as given in a Paris MS., are printed in Robert's Fables inedites); commentaries, still unprinted, on portions of Aristotle, Martianus Capella and Ovid's Metamorphoses, and other works.
Ambrosius Macrobius Theodosius (c. 400) wrote a treatise on Cicero's Somnium Scipionis and seven books of miscellanies (Saturnalia); and Martianus Capella (c. 430), a native of Africa, published a compendium of the seven liberal arts, written in a mixture of prose and verse, with some literary pretensions.
The older portion, the capella in palatio, an octagonal building surmounted by a dome, was designed on the model of San Vitale at Ravenna by Udo of Metz, was begun under Charlemagne's auspices in 796 and consecrated by Pope Leo III.
The Capella Palatina, at Palermo, the most wonderful of Roger's churches, with Norman doors, Saracenic arches, Byzantine dome, and roof adorned with Arabic scripts, is perhaps the most striking product of the brilliant and mixed civilization over which the grandson of the Norman Trancred ruled.
The most rapid visual binary (leaving aside Capella for the moment) is Equulei, which completes a revolution in 5.7 years.
For the year 1164), the socalled sudarium of St Veronica, which from the 12th century onwards was preserved in the Capella Santa Maria ad praesepe of St Peter's in Rome (see Dobschiitz, Christusbilder, p. 218 seq.), and the seamless robe of Christ, the possession of which lent renown to the cathedral of Trier since the beginning of the 12th century (Gesta Trevir., Mon.