He ruled with a stern sway for nearly half a century, but the brilliance of his court, his encouragement of the fine arts and his decoration of the city with sumptuous edifices, to some extent compensated the Bolognese for the loss of their liberty.
In 1241 Adelasia, heiress of Gallura and Logudoro, was married as her third husband to Enzio, the natural son of Frederick II., who received the title of king of Sardinia from his father, but fell into the hands of the Bolognese in 1249, and 3 Three inscriptions of the middle of this century, set up by the iipXcov Zap8'vias with the title protospatarius, are illustrated by A.
Innocenzo Francucci (Innocenzo da Imola), a painter of the Bolognese school (1494-1549), was a native of Imola, and two of his works are preserved in the Palazzo del Com.une.
High; in the basement may be seen the wooden bucket captured by the Modenese from the Bolognese in the affray at Zappolino (1325), and rendered famous by Tassoni's Secchia Rapita.
The territories of the state were enlarged; a friendly alliance was maintained with Florence; trade flourished; in 1321 the university was founded, or rather revived, by the introduction of Bolognese scholars; the principal buildings now adorning the town were begun; and the charitable institutions, which are the pride of modern Siena, increased and prospered.
And against the neighbouring cities of Romagna and Emilia; indeed, in 1249 the Bolognese took Enzio, the emperor's son, prisoner, and kept him in confinement for the rest of his life.
The Madonna della Ghiara, built in 1597 in the form of a Greek cross, and restored in 1900, is beautifully proportioned and finely decorated in stucco and with frescoes of the Bolognese school of the early 17th century.
FRANCIA (c. 1450 - 1517), a Bolognese painter, whose real name was Francesco Raibolini, his father being Marco di Giacomo Raibolini, a carpenter, descended from an old and creditable family, was born at Bologna about 1450.
LORENZO CAMPEGGIO (1464-1532), Italian cardinal, was born at Milan of a noble Bolognese family.
Raphael cordially responded to the Bolognese master's admiration, and said, in a letter dated in 1508, that few painters or none had produced Madonnas more beautiful, more devout, or better portrayed than those of Francia.