Bezae and in Syr C; (2) the Alexandrine text used by Cyril of Alexandria and found especially in CL 33; and (3) a text which differs from both the above mentioned and is therefore called by WH the Neutral text, found especially in rt B and the quotations of Origen.
French style gradually attained to fixity, and the alexandrine came to be recognized as the standard line in poetry.
In this he went beyond Cyril and the Alexandrine school generally, who, although they expressed the unity of the two natures in Christ so as almost to nullify their duality, yet took care verbally to guard themselves against the accusation of in any way circumscribing or modifying his real and true humanity.
Constructed and written in almost slavish imitation of Virgil, employing for medium a very unsuitable vehicle - the Alexandrine couplet (as reformed and rendered monotonous for dramatic purposes) - and animated neither by enthusiasm for the subject nor by real understanding thereof, it could not but be an unsatisfactory performance.
His study of the Alexandrine theology, as well as of profane literature, brought him under the suspicions of the orthodox, and a former pupil of his, by name Constantine, accused him in an elegiac poem of having abandoned Christianity.
De recta fide, 4th century), he was the founder of the Alexandrine Church (recorded as a tradition by Eusebius, ii.
It would seem, however, that Eutyches differed from the Alexandrine school chiefly from inability to express his meaning with proper safeguards, for equally with them he denied that Christ's human nature was either transmuted or absorbed into his divine nature.
From choice or compulsion large numbers settled in Egypt in the time of the Ptolemies, and added an appreciable element to Alexandrine culture, while gradual voluntary emigration established Jewish communities in Syria, Asia Minor, Greece and Italy, who facilitated the first spread of Christianity.
He quotes Aristotle, Heraclides Ponticus, Aeschines Socraticus, Idomeneus of Lampsacus and Duris of Samos, and is also indebted through some Alexandrine intermediary to Ephorus and Theopompus.
The Poem of the Cid is but a fragment of 3744 lines, written in a barbarous style, in rugged assonant rhymes, and a rude Alexandrine measure, but it glows with the pure fire of poetry, and is full of a noble simplicity and a true epical grandeur, invaluable as a living picture of the age.