Sentence Examples with the word Agostino

The Via Aemilia passes obliquely right through the heart of the city, from the Bologna Gate in the east to that of Sant' Agostino in the west.

Pomponazzi defended the Alexandrist doctrine of the utter mortality of the soul, whilst Agostino Nifo, the Averroist, was entrusted by Leo X.

The latter furnishes apologies by Marsilio Ficino, Agostino Steuco, J.

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On the marriage in 1735 of another Agostino Chigi (1710-1769) with Giulia Albani, heiress of the Albani, a Venetian patrician family, said to be of Albanian origin, her name was added to that of Chigi.

In the Campo Santo of Pisa; Agostino and Agnolo, who in 1330 carved the fine tomb of Bishop Guido Tarlati in the cathedral of Arezzo; Lando di Pietro (14th century), architect, entrusted by the Sienese commune with the proposed enlargement of the cathedral (1339), and perhaps author of the famous Gothic reliquary containing the head of S Galgano in the Chiesa del Santuccio, which, however, is more usually attributed to Ugolino di Vieri, author of the tabernacle in the cathedral at Orvieto; Giacopo (or Jacopo) della Quercia, whose lovely fountain, the Fonte Gaia, in the Piazza del Campo has been recently restored; Lorenzo di Pietro (Il Vecchietta), a pupil of Della Quercia and an excellent artist in marble and bronze; Francesco d'Antonio, a skilful goldsmith of the 1 6th century; Francesco di Giorgio Martini (1439-1502), painter, sculptor, military engineer and writer on art; Giacomo Cozzarelli (15th century); and Lorenzo Mariano, surnamed 11 Marrina (16th century).

Bernardino has an early Renaissance polychrome facade, richly sculptured, of 1457-1461, by Agostino d'Antonio di Duccio of Florence.

From December 1856 to March 1858 he had to contend with and subdue a local insurrection headed by General Agostino Vivanco, but, with these two exceptions, there was peace in Peru from 1844 to 1879, a period of thirty-five years.

The archaeological museum is housed here on the ground floor; besides Roman and pre-Roman objects it contains fragments of the 9th century basilica of Santa Maria in Aurona, one of the first examples of vaulted Lombard architecture; the bas-reliefs of the ancient Porta Romana of Milan, representing the return of the Milanese in 1171 after the defeat of Barbarossa; the remains of the church of Santa Maria in Brera, the work of Balduccio da Pisa; the grandiose sepulchral monument of Bernabo Visconti formerly in the church of San Giovanni in Conca; the tomb of Regina della Scala, the wife of Bernabo; the funeral monument of the Rusca family; the great portal of the palace of Pigello Portinari, seat of the Banco Mediceo at Milan, a work of Michelozzo; a series of Renaissance sculptures, including works by Amadeo Mantegazza, Agostino Busti (surnamed Bambaia), including fragments of the tomb of Gaston de Foix.

Maria di Provenzano, a vast baroque building of some elegance, designed by Schifardini (1594) Sant' Agostino, rebuilt by Vanvitelli in 1755, containing a Crucifixion and Saints by Perugino, a Massacre of the Innocents by Matteo di Giovanni, the Coming of the Magi by Sodoma, and a St Anthony by Spagnoletto (?); the beautiful church of the Servites (15th century), which contains another Massacre of the Innocents by Matteo di Giovanni and other good examples of the Sienese school; San Francesco, designed by Agostino and Agnolo about 1326, and now restored, which once possessed many fine paintings by Duccio Buoninsegna, Lorenzetti, Sodoma and Beccafumi, some of which perished in the great fire of 1655; San Domenico, a fine 13th-century building with a single nave and transept, containing Sodoma's splendid fresco the Swoon of St Catherine, the Madonna of Guido da Siena, 1281, and a crucifix by Sano di Pietro.

The city is rich in works of art, for Milan, with the introduction of the early Renaissance style by Filarete and Michelozzo after 1450, became the home of a Lombard school of sculpture, among the chief masters of which may be mentioned Giovanni Antonio Amadeo, or Omodeo, 1 of Pavia (1447-1522), Cristoforo Solari, and, the last of them, Agostino Busti, known as Bambaia (c. 1480-1548), whose work may be seen in the cathedrals of Como and Milan and in the Certosa di Pavia.